31/03/2012

Postcards from beyond the edge

This work was partially inspired by an article I read about sending postcards from space. Soon after I got the brief for the next ReOrsa artists project, dealing with notions around boundaries and the breaking of them. The two seemed to coalesce instantly into the beginnings of this work.

Boundaries and Beyond flyer


Thinking about the nature of boundaries and what boundaries mean from a tourist or postcard perspective, I decided that not only did I want to send postcards from space, I also wanted it to seem perfectly normal. I had also recently re-watched a episode of Horizon called The Core which talked about the interior of the Earth and how it may be the last place we ever explore due to its phenomenally inhospitable conditions.

This sounded like a challenge to me so I decided to create a series of postcards that infer that the current limits of human exploration and some of the most inhospitable and remote areas of the world are perfectly normal holidaying destinations. Creating, photographing and using free to access images I have produced 60 postcards with images from all around the globe and beyond. Jungles, Deserts, Arctic regions, Space and under the earth are all represented as well a a few other areas.

Original test postcard


Additionally many of the images are not of the places they say they are. I wanted to take to the extreme the postcard tradition of showing places in the best possible light, often to the point that they no longer look like the place they depict. I won't spoil here which ones are fake, I will leave that for you to work out.

I've always been interested with perception and the power of suggestion to produce views and ideas that are not true. This is one of the reasons that postcards interest me so. The idea that one or a few perfect images of perfect places can represent a place really fascinates me. 

 
Intital mocked up postmark

To accentuate this power of suggestion, I took all 60 postcards and created a universe where these cards were sent from one person to another, arranged them into series of cards from individual holidays and gave them an entire timeline and false history. The cards were written in order according to my timeline and frequently contain references to previous holidays or past unknown events much as a 11 year association via postcards would do. I created a false publishing company and a QR code, that when scanned should take you to my website. Finally I created fake stamps that referenced the general locations of the cards and 60 individual postmarks.

Final work


From my 6 years working with postcards I seem to be mainly producing works that cannot be touched and are quite traditional from a fine art aspect; paintings, drawings and prints. For a medium that is first visual but also quite tactile this can be odd. I have recently started archiving my collection so I have had a lot more tactile relationship with them in recent months which may be impacting in the scope of my work.

I liked the idea of creating actual postcards and of forming this entire new world where a weekend in space is as normal as a weekend in the south of France. The idea of looking into a future where the infrastructure to allow postcards to be sent exists everywhere seems both utopian and disturbing. Being able to go anywhere that easily seems amazing but also the idea of every wild and natural place becoming as false and uniform as most other highly touristy place goes against everything I believe.

Example of one of the finished cards (text side)


At the end of the day there are not (quite yet) shuttles to hotels on the Moon, but I am interested to what level visitors believe what they are given. And I like that they have to rifle through the postcards. I'd want to see how many people feel the need to read from start to finish and how many pick up the first one they see. I had a great time making up this character writing the postcards, who is effectively me, but me writing from a position I could only imagine rather than experience.

As to the addressee, which I really agonised over, I decided that I would have to take inspiration from a fictional explorer. Hopefully before I said that most of you didn't work out which one immediately.

Example of a finished card (image side)


Often the ReOrsa space is only accessible by looking in through the windows. I was highly aware of this when I was planning the work so I wanted my work to be at least partially readable through the windows. So far every time I have gone past the Gallery@49 windows I have seen at least one person trying to read my work. Additionally it seems every time I have gone past more and more of the postcards have escaped from their box. As well as a few originally scattered on the plinth they have seemed to explode exponentially with masses on the plinth and many now sitting on the nearby window ledge. It seems the postcards themselves want to take their own journey.

Boundaries and Beyond is on from 15th - 31st March at Gallery@49 in Bracknell Town Centre. It will be open 12 – 4 on the 31st March and I will be there from 2 – 4 pm. 



Installed work at ReOrsa Gallery@49


Links:

6 comments:

  1. Great concept :D I wonder whether we'll still be sending physical postcards when we get to that point. There's something cool about knowing the distance it's travelled.

    My mum always used to write to Canada on lightweight blue airmail paper, maybe we'd have lightweight postcards for the same reason.

    How did you make the postcards?

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  2. ADDRESSEE NOT FOUND IN ENGLAND, JUPITER. TRY ENGLAND, EARTH

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  3. Heh.
    I conciously decided not to put Earth on the . It felt too twee and I figured if it was us colinising other planets then we wouldn't name regions after exisiting countries on Earth or otherwise. At the most we might have New United Kingdom or something.

    The postcards were mostly done on Photoshop but I did get Moo.com involved with actually printing them.
    The stamps were made using photoshop and a sewing machine and the postmarks photoshop and some cellouse thinners.

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    Replies
    1. You'd think so, eh?

      http://en.wikipedia.org/wiki/Dublin_%28disambiguation%29#Other_places

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    2. Just Country names. Not settlements.

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  4. Gemma It was good to read about this particular postcard project. Mine involved postcards written to me as a child but I then Photoshopped postmarks and changed dates when I used them to weave correspondence between Madeleine and Cyril (two of my Frillip Moolog beings). My project only involved 6 postcards yours was impressively long. More about mine here http://blog.frillipmoolog.co.uk/2010/06/meleagers-garland-opportunity-for-new.html

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