31/12/2011

Happy New Year!

Just in case I have loyal followers here that don't use Facebook or Twitter (or do and have never found me there) and also aren't on my mailing list, here is a link to whats coming up in the New Year for me.

http://www.gemmacumming.com/dec_newsletter.htm

I hope you all have a fabulous night tonight and that 2012 is your best year yet.

Happy New Year!

Balloon!

14/12/2011

Printmaking updated

Does anyone remember the blog post way back in February, where I explained the current series of prints? If not feel free to read it again: link

It's now December and I recently put the last of my monthly prints up on the website. An image of Cowes, it's original photograph was taken in June 2008 during Cowes week.

Sunny Cowes 2011 drypoint on tissue paper, handcoloured

Since starting printmaking at South Hill Park I've learnt a great deal. I've had to put it on hold during the last term due to financial and time pressures, but hope to get back to it in the near future.

Since last I spoke about it, the reasoning behind the prints has not changed at all. However after doing 14 different images I felt I wanted to explore other ways print could be used within my practice. Print after all has a great variety of processes, some of which suited the postcards on tissue and others that didn't but had other intriguing qualities.

As well as drypoint, I learnt how to etch plates which was one of the few processes I had done once previously at University. It worked quite nicely for the postcard prints, two plates were made using this method, a Venice and a Southwold image.

Beautiful Venice 2011 etching on tissue paper, handcoloured

The display of the tissue prints was an issue until I came across clear frameless acrylic frames from Muji that are both extremely unobtrusive and very clever. I would have them suspended in front of a window allowing the transparent qualities to shine through. Obviously in a home setting this isn't always entirely possible, after exhibiting them recently in this fashion I now understand the rate that the inks lose their colour. This can be only a matter of months for obvious discolouration, so in a home setting you might want to actually hang them out of direct sunlight, maybe even in a different sort of frame that has UV protective glass.

Southwold Beach Huts 2011 etching on tissue paper, handcoloured

There were two other print processes that while they didn't work for the postcards on tissue were very interesting nevertheless.

Solar plate is a process that uses a photo sensitive layer on a metal plate. It is then exposed to light through a transparency printed with your design. The black areas on the transparency stop the light while the pale areas let light through. When gently washed in warm water the areas that were protected from the light wash away, leaving an indentation. In many ways the process is like etching and drypoint, where it is the worn away areas that hold the ink and produce the black areas.

The results tend to be a very close to a photographic reproduction of the original image, and it was for this reason that it didn't suit the tissue paper postcards. When shrinking the original A4 drawings down to A6 size, then computer printing for the transparency, the small imperfections that make it look like a drawing are lost. When printed as a solar plate, while beautiful, they looked too much like a computer manipulation rather than a drawing. This was too close to the mass produced nature of the postcard for me.

Sunny Brighton framed at South Hill Park Student Open exhibition

Polymer Plate Lithography uses a plasticised paper that you can transfer an image onto. The action and method of transfer changes how areas of the plate react to water and oil. On the transferred image water is repelled and the oil based ink can adhere to the surface, while on the white portions the water stops the ink from sticking. (This may be a little inaccurate, I'm only just getting my head around the concept).

Like solar plate, the images are photographic transfers, rather than hand “drawn” like etching and drypoint. Unlike solar plate the images have to be far more graphic and less tonal. This method does not deal with grey areas well at all.

Beautiful Venice framed at South Hill Park Student Open exhibition

Both of these processes have some very interesting qualities, so some of my most recent prints have been looking at starting a new series that uses these photographic qualities along with the notion/subversion of the postcard. I also have another project in mind that will utilise the polymer litho but both projects are in very early stages. Another development has been the use of coloured inks as well as black.

I have however used all of the above processes in my sketchbook for the Sketchbook Project, which is nearing completion and will require it's own blog entry very soon.

11/12/2011

Photos: "Summer is Coming"

Last week I put Summer is Coming up in the window of an Empty Shop in Maiden Place shopping centre, Lower Earley, Reading. It will be there till about the beginning of January and while we were putting the work up we already got some good comments. Hopefully the shoppers will appreciate a little reminder of summer in these dark winter days.

Here is a selection of photographs from the install.




If you would like to visit this link should get you close: Link

09/12/2011

Exhibition Update: While Things Were Good

Another exhibition update!

I've been keeping this one a little quiet but now the brochure and other publications are out I am revealing all. Although sharp eyed readers might already know about it.

In February I will be showing a selection of my larger works at my local arts centre South Hill Park in Bracknell, in a solo exhibition entitled While Things Were Good. The exact selection of works is yet to be decided but I have been feverishly painting to try to complete 2 new, large scale, 80 x 120 cm paintings.

I am really excited as the works will be in the Atrium, the exhibition space/bar/restaurant, so should have a lot of people seeing them.

I have wanted to exhibit at South Hill Park since about 2003 when I was mired enough in the art world to realise that South Hill Park actually had exhibition spaces. Before then I'd only known its as a child seeing Shakespeare performances with my secondary school or as a place to get messy with clay one summer holiday when I was about 7. It was in fact while wandering around the Mirror Gallery, looking at the 2003 Wrexham Print International, on the verge of going away to University to study Fine Art and trying to explain contemporary art to my mother, that the thought that maybe one day I could exhibit there popped up. At that point it seemed an impossible dream, heck until about 3 months ago it still seemed improbable.

No photos of the new works, they are secret until the 10th of February, but here is a little publicity.

By the way I'd love to see you on the 10th 7 – 8:30 pm for the private view, as well as my own show there will be three other exhibitions opening that evening, including South Hill Park's Jeweller in Residence Bev Bartlett, winning photographs from the local councils annual amateur photography competition and some amazing prints and sculptural paper works by Jeannie Driver and Chris Lundie.

More info 

There might even be free wine. 

Extract from current South Hill Park Brochure

Extract from upcoming exhibitions leaflet
 

08/12/2011

Welcome to Simons Wood Reflected

So it's that time again where I try to reflect on the years photographic project.

So if you missed it, some background. I was attempting to work on a follow up to the previous years project Perambulation, looking at the reality of a place and trying to recreate it through photography. Using a strict set of rules, I tried to capture a specific view throughout the year with an aim that while it might not be possible to create a truly objectively real and complete view of a place it was possible to be more objective than the Perambulation project.
    Week 1 - 20th November 2010
    Rules
     1. As from the previous project, there will be no post production editing of the photographs. With the exception of cropping and resizing for the internet.  
    2. The camera will be set to scenery mode, and the only setting on it I can change will be the white balance to the appropriate weather conditions (either cloudy or sunny)  
    3. I will go out when I should, no matter the weather at the time.  
    4. I will go to the same place and take a photo of the same view  
    5. I will go out weekly, Saturday at 12pm.  
    6. I may change the day (but not the time) if life conspires to make Saturday impossible. The day should be as close to Saturday as I can make it and I should make every effort to do it on a Saturday.  
    7. I will attempt to do this for a year.
Week 5 - 18th December 2010

It's been an interesting year. When I started I thought the lack of creative input would damage the project. It was very strict, almost verging on the scientific, and while that lent focus to what I was trying to achieve, it became routine and required little thought.

Routine tasks are part of life, and while my photography may have suffered from a lack of constant creative input, it did become familiar and comforting in a strange way. I would look forward to my weekly walks with intrigue as to how I would find the pond and take interest in all the smallest changes. 
 
Week 20 - Saturday 2nd April 2011

Practically it was easier to deal with than the Perambulation project, which was good as I have been far more busy this year than last. I didn't cheat once, although I did have to change my day far more often than I would have liked.

As a realistic view of the place? Certainly it is a realistic view of that years worth of Saturdays. Any years worth of Saturdays? Maybe. As a realistic view of that place throughout the year? Probably not. I seemed to get a high proportion of grey days which, I promise you it is not indicative of where I am. The rules I set in place certainly helped to make it a more realistic view of the place it did not create an utterly realistic view. But I went into this knowing the restrictions.

Week 21 - Saturday 9th April 2011

So what to do now with the project?

This is something I will have to think on, but much like the Perambulation project I think film or a book would be the best way to show them. Obviously 53 images are easier to deal with in a gallery setting but I like better the idea of a more fluid image progression either through an AV (which you can already get through Flickr slideshow) or a book. Of course a book is still planned for the Perambulation project so hopefully I will get around to it. I'm not entirely sure who would want to buy it though, but as a record and exercise it's a good idea.

Week 32 - Sunday 26th June 2011

I'm looking potentially at two photographic based projects next year now. One will be short term if it is accepted, but I will talk more on that at a later date if it is to be realised.

As to a year long project, I feel a more creative approach is needed, to explore my photographic skills more if nothing else. So this one will probably reflect Perambulation more than this one. I might also lift all geographical restrictions, but keep a date/time one. All in all, I'm still too deeply thinking about this current one and all the other artwork I have going on to have found time to focus my thoughts, but over Christmas I will be.

Week 50 - Saturday 29th October 2011

Photos: A selection of images from Welcome to Simons Wood

30/11/2011

Exhibition Update: Summer is Coming.

I was asked just over a month ago if I would like to exhibit in an empty shop in a local shopping centre. I'm always keen to exhibit locally as I am a strong advocate of community engagement and the ethos of the empty shop movement in this time of economic downturn. The shop is in the Maiden Place shopping centre, a pedestrianised area in Lower Earley, Reading on a road called Maiden Place. It will be a shop window display of some recent works for the whole of December.

Press release below.
 

31/10/2011

Back from the East - part 3

After leaving the fens region I had another stop on my holiday to make.

Travelling from flat Fenland to the Suffolk/Essex borders was an interesting experience. First of all I really enjoyed the drive, even though I was constantly getting lost or being redirected due to road closures. It almost felt like the fens weren't going to let me go for a while there. Secondly I chose to drive via Theford Forest and after days of huge skies, it was a revelation to be amongst trees again.
Dedham Vale nr East Bergholt
 
It was really nice to see trees and hills again, apparently I had been unknowingly missing them. Though I would soon enough change my mind. After quite an extensive drive I arrived at my second home away from home, which would be mine for two nights. A Travellodge on the A12.

I had initially decided to stay in a Travellodge for this part of my trip for two reasons:
1. It was really, really near where I was going to the next day.
2. Having never stayed in a B&B before and yet knowing how many horror stories there are out there I wanted somewhere where experience told me I could be sure of a clean room, clean sheets and a decent shower.

Public footpaths East Bergholt

It was very convenient, only 5 miles from my location for the next day. However, it was also on the A12, which I had somehow forgotten was a busy road. All in all it wasn't nearly as nice as the other Travellodges I had stayed in and not as nice as where I had just come from. But enough of a grump, back to the real story.

After a passable night's sleep I went down to start my Constable adventure. I had grand plans for the day, wanting to try to spy out as many of Constable's views that became paintings as I could, hopefully with an intention to paint them myself. I certainly wanted to get a photograph of the Haywain location as well as take in one of the walks on the map. 

Row boats on the River Stour, Dedham

Deciding to start in East Bergholt I had a mooch around the town and started on one of the walks from my map, one that covered as many of the painting views that I could. It was a pleasant walk, but far longer and intense than I was expecting. I got mildly lost a few times, which is often fun but by about the halfway point I was very tired and quite footsore. Unfortunately it was a circular all or nothing type of walk so I had to keep going. Right at the end of the walk, apparently within spitting distance of the end, I seemed to get very lost, which was quite scary as I'd been going for about 4 hours at this point and really needed food and a sit down. I'd almost gone very wrong a few times before then, but somehow had made the right call, this time I didn't and ended up on footpaths my map didn't know existed. Happily after a lot of reading and a lot of guessing I ended up back at the car.

Many of the painting views were possible to work out where they were but impossible to get to, due to land having become private over the intervening years or time encouraging the growth of trees and bushes. But I found and photographed a few views on my walk and saw many great modern views.

After the immense walk (which I had never expected to take that long) and fuelled by a jam doughnut I still had the main focus of the day to do. Slightly regretting that I had not done it in the morning as the sunshine of the morning had become a cloudy and cold afternoon, I headed to Flatford mill.

Footpath through grounds of Langham Hall

It was really pretty around there, it was just a shame that I was too tired and grumpy not to appreciate it more. I did get some good images, especially as this place seems to have changed little since Constable's day. Boat-building near Flatford Mill was easy to spot, even if the dock was no longer dry.

On one hand it was a good job that I was so grumpy, to top everything off the spot where Constable painted
the Haywain is behind a big “Private” sign. The buildings belong to the National Trust and the Field Studies Council and are used for residential scientific study. Indeed while I was there there were many students doing research by the pond. Needless to say I ignored the sign and took the photo anyway, which I hope most people do as it seems ridiculous to have the the most famous landmark in that area behind a private sign.

Flatford Mill

My day complete I went back to the Travellodge and then headed home the next day.

18/09/2011

A Picture Postcard World

I was directed earlier this week by the always wonderful Katie Smith to the Time Shift programme on BBC 4 about postcards. Titled “The Picture Postcard world of Nigel Walmsley” it's a nice little jaunt though the history and uses of the postcard. Do forgive it's beginning and apparent grumpy old man character, it soon warms up and is filled with all sorts of nuggets of information, including some I didn't know.

Running the history of the postcard from it's heyday in 1902 to 1919 (ish), delving into the variety of cards available, talking about collecting, the resurgence of card usage in the 1960's to 1980's as well as a fair sprinkling of information about postcards as art, which is always something I enjoy (though I'll take mail art over Gilbert and George any day), it covers the social issues and changes throughout this century.

Also worth a look is the postcard blog from Daniel Weir which can only be described as a celebration of John Hinde and a huge nostalgia trip. Not only do I adore the aesthetic qualities in a John Hinde postcard but the subjects covered are hugely reminiscent and often downright exact to how I remember my summer holidays growing up and never stepping foot outside the UK.


It also finally forced me to start the process of archiving my own collection. But I'm not sure any of those will end up online for all to see. After a day of work I've scanned 60 and am currently trying to put those first 60 in a database.

06/09/2011

Beats from the Jungle Drums

Exciting times!
I woke up this morning and checked the Jungle City website to see if my Orangutan Welcome to Jungle City Edinburgh had been moved from the Botanics to it's new home in the city. Expecting that they were being moved as predicted on the 6th and having heard the day before that many of the sculptures were packing up and being relocated I was eager to reveal where he was now located.

I knew he had been getting a good response from the photographs that were appearing around the interwebs, as well as reports coming in from friends who went up for the Fringe. From what else I've seen, the project in general has been garnering a really good response. The Botanics apparently seeing a 77% increase in visitors from this time last year. Impressive considering the weather.

Well I do wish I was up there as his new location is confusing me a little. According to the map (which can be downloaded here) Welcome to Jungle City Edinburgh is no. 64 and is located at The Meadows which is a park to the south of the City Centre. However no.64 on the visual map seems to be located somewhere on George Street near the Assembly Rooms right in the shopping centre of Edinburgh. When I know where he actually is I will be tweeting about it, so if you don't already follow me on Twitter (or Facebook if you prefer) you should. ;)

Now my Orang has moved I can reveal a few more details. He has been sponsored by Eco Movers/Matt Purdie and Sons and apparently is on the Audio Guide! So if you have an iphone you can download this app which will lead you on a tour of the 50 or so animals out of the 130 that celebrities have leant their voices to. I don't have an iphone so I've yet to hear it.

Finally if he is on George Street he is really near to Harvey Nichols, which is where you can go to find the Jungle City pop up shop. If you want a mini version of the sculptures you can order one from there as well as The Art Book with a front cover with the lovely Loz Atkinson's hornbill One for the Rock, One for the Crow, One to Die, One to Grow on it (I thought mine was a long title). Mine is on page 67. The Art Book, T-Shirts and some plain coloured mini sculptures are currently available on their online shop.

Finally you should check out the Jungle City website, it's had a redesign with all this new information including pages for all their artists.

Welcome to Jungle City Edinburgh 2011


18/08/2011

Back from the East - part 2


On the day I went to March (another of the 4) it was annoyingly grey and dull. I took a number of photos but the clouds showed no sign of breaking. March was interesting anyway with many fab buildings including a museum and a pub called the Ship Inn right by the canal. It also had a wrought iron and gaily painted memorial (I think for the queens silver jubilee) that was called the Fountain. It didn't seem very fountain like, until I found out that at some point the fountain bit that should sit in the middle of the structure had been sold many years ago to someone in a neighbouring village, and was currently sitting in their garden. 
 
March Museum

I also went to Whittlesey (the last of the 4 major fen towns) on the same day as March. The grey day didn't help all the grey stonework. But there were many interesting things to see, including the buttercross which is used as an undercover bus stop mostly, but still seems to be a hub of town activity. Also a pair of impressive churches and a pub by the canal called the Hero of Aliwal. After Whittlesey I trekked up to Thorney to check out the abbey, or rather the remains of it, which is mostly some buildings that are now private houses, the impressive church and a big and inaccessible field. After Thorney I took decided to go even further north and check out Crowland. It had started to rain so my day was looking less and less good for photos. This was until on the horizon I saw the monster that was ruined Crowland Abbey.

St Andrews Church, Whittlesey

I was really taken aback by Crowland Abbey, I was driving along and it suddenly loomed up and proceeded to play hide and seek with me behind trees and houses. It doesn't have the most delicate of profiles either, so it was quite a shock to appear so suddenly. It didn't even look ruined until I got to it, where you can see that part of the abbey has collapsed away. This has been a theme throughout the fens, the churches and cathedrals are some of the most ornate I've ever seen. Tiny villages have churches that date way back and far outstrip churches in my locality. 

Crowland Abbey

I went back to the B&B via a number of interestingly named farms, Gothic Hall Farm and Malice Farm. Other places I visited included; Welches Dam a RSPB reserve, Upwell, Outwell, Manae, Three Holes, Welney, Pymoor and Flag Fen, a Stone/Bronze Age reconstruction village.

Welches Dam RSPB reserve

All in all I had a lovely time. I can only praise Sean at Woodlands B&B in Witchford, near Ely for making my first stay in a B&B and first holiday on my own a good experience. I saw many new things, including a barn owl in the wild and many strange and interesting things. I really enjoyed being in a place where the countryside was only a stones throw away and where you often felt like the only person in the world. I also learnt how much I enjoyed just driving around, racing down empty roads, splashing puddles and getting mildly lost. I had hoped that it would sate my desire for the VW camper van and the idea of doing this on a much larger scale, in the end it only heightened it and after about 24 hours home with a good meal in me I wanted to be back out there.

Storm and sunshine

However home wasn't to be my destination for a few more days.....

15/08/2011

Back from the East - part 1

Back from my holiday a few weeks now and it was quite an experience. I didn't get the best weather, but I think I made the most of the sunshine I had. What I did get was a similar experience to last years “Summer Holiday” to Southwold, which I was kind of expecting. The Fens are hardly a great distance from Southwold and they both share some pretty flat ground. I wasn't sure that that would have the same effect on the weather and as I'm no meteorologist, I'm still not. What I do know is that on more than one occasion, I had days where it was bright sunshine with immense black clouds on the horizon. To be honest it's probably the flatness of the land that does this more than anything else. I could see the weather coming, when my usual experience is of a place with more hills and a lot more trees.

Middle of nowhere

Having the fun of driving around the M25 and the M11, I got into the borders of the fens on Thursday lunchtime. Having been sunny all the morning, it clouded over by the time I got to my destination. It was in fact so sunny on the drive that I actually got unexpectedly burnt and developed a bit of a truckers tan. This I didn't see as a particularly good sign for my weeks weather. However it soon cleared up and I got lots of photographs of Ely.

Ely Cathedral

 Ely is pronounced Eelee, and named supposedly for the large quantities of eels that were once caught in the marshes around the town. Before the fens were drained, the area was mostly marshy and underwater land with a few drier islands of slightly higher ground where people lived. As such there are many depictions of eels around the town. While not one of the 4 Fenland major towns I was aiming to visit, it was very near to where my B&B accommodation was and has an amazing cathedral.

Ely eel sculpture

Wisbech (pronounced Wizbeech) is “The Capital of the Fens” and was an odd place to visit. I say odd because due to weather patterns I went on a Sunday to try to get this potential photo hotspot on a sunny day, and like many a Sunday in many a place it was dead quiet. It also meant that I stood out a lot as a tourist and got plenty of funny looks. However from an uninspiring wet and grey start, the sun came out and I got some really useful photos. Of all the tourist sights in Wisbech, the gardens of Peckover House (a NT property) were a real treat. Not only were they beautiful to look at but full of really interesting nooks and crannies, including; a cat cemetery, a tiny wooded hut with amazing stained glass windows and a Victorian Orangery. The abundance of flowers also meant there were lots of insects and I could indulge my passion for stalking butterflies. They also had a couple of honeybee hives, which were wonderfully busy if quite scary to try to get close to and take photos.

Tame Peacock butterflies at Peckover House

I visited Chatteris twice while I was away. The first time I got drenched within 5 mins of stepping out of my car. I got so wet that I just drove all the way back to the B&B to change and wait for the worst to pass. Luckily by about 3pm the rain seemed to be going away and this time, dressed in my waterproof trousers and still slightly squidgy leather jacket, I took another stab at it. By the time I got there however it was blue skies, sunshine and mid twenties temperature. Chatteris didn't seem much like your usual tourist destination even though it is one of the 4 major towns in the fens. It certainly had a small town air and I felt very out of place. However it has a gorgeous church and an interesting graveyard.

Broken Tomb in Chatteris church graveyard

Once the rain had stopped I also took a trip to Stonea Camp, which is a prehistoric camp that was at one point entirely razed for farmland. Its earthworks have since been rebuilt and was home to many grazing sheep when I got there. It also allowed some impressive views of the surrounding land and the rainstorms that were coming and going. Be warned, the road to the camp is one of the most challenging and scary I have been along. Basically single track with ditches either side, I wouldn't want to meet anything coming the other way. Much of it is not tarmaced and obviously has some heavy farm traffic moving along it. It also has some huge dips and bumps, a real adventure for my little VW polo and one that had me fearing for its underside and wishing I had a 4by4, although I was very proud of my car, managing it with no apparent issues.

Stonea Camp

Photos from my Flickr feed, more at: http://www.flickr.com/photos/noblueskies/sets/72157627135849157/

Part Two: More of the Fens.

27/06/2011

Into the East

Plans are afoot!

At some point last year I found out that Flatford Mill where Constable famously painted his Haywain was mostly unchanged since Constable's time. As an artist that cites Constable and the Romantics as influences in my work (the very notion of the idyllic landscape influencing tourist memorabilia, including postcards) I was intrigued by this. The idea that this kind of place remaining unchanged seemed not only wonderful in modern Britain, that to my mind is losing much of it's heritage but also fitting to the romantics idea of celebrating the English landscape.

I decided that I wanted to recreate the Haywain and produce the same view in my own style. How exactly this will look remains to be seen but I did decide to go visit Flatford mill and see for myself.
This led to wondering how many more of the scenes in Constable's paintings have remained basically recognisable to this day. I found an amazing little map on the internet based on ordnance survey that shows not only the area of Dedham Vale with close ups of the key locations but also recommended walks to explore Constable country but also the location of where Constable stood to paint his pictures.

At the same time there are plans afoot to go to the Cambridgeshire fens region. What the reason for picking that region is I will reveal later when things are more fixed. I am however compiling a list of tourist hotspots that I should visit.

Since both areas are relatively close to each other I decided to split a week in both locations. On the 15th July I will be off to Ely and staying a few days in a B & B there, taking visits to the surrounding countryside and towns. Doing my usual thing of exploration, buying postcards and getting tourist imagery and photographing anything and everything. I will then be off to Constable country staying in a Travellodge for a couple of days and exploring Constable Country using my exciting new map.





24/05/2011

Update on the Orang-utan

As I said, I have been asked to paint an Orang-utan for The Elephant Family's Jungle City Edinburgh and my design, much like last years Elephant, includes both a sunny, blue-skied side and a threatening, stormy side. Any of you who know anything about my artwork will know that I am obsessed with the postcard and the tourist image, more specifically taking touristic images and removing the usual blue sky and replacing it with something more threatening and unusual to the stereotypical notion of the postcard. These themes influenced my elephant and influence my Orang-utan by making them two sided and using the different skies.

Reverse: Stormy Sky, beginnings of greenery and Hornbill
Front: Blue sky, hands and some greenery

Last years elephant was very easy to make two sided, he had almost identical sides with just a few changes. This year I didn't want to do that exact concept again and the Orang-utan is not by nature an easy animal to make two sides of. He is very much a front important animal and the concept had to recognise that. I also wanted to make a point of him being in Edinburgh.

Front: Greenery continued, Edinburgh Castle and Nelsons Monument

So I decided to have one side include a conglomeration of Edinburgh sights. I was tempted to recreate an iconic Edinburgh scene like you might see on a postcard of that place, however having never gone there I was lacking quite a bit of context that I would normally prefer to have before picking and recreating an image. After looking at Edinburgh tourist websites I settled on three possibilities, Edinburgh Castle, Holyrood Palace and Nelsons Monument.

Reverse: Jungle scene including Tiger and Elephant

I decided to have the other side be a general jungle/densely wooded scene and incorporate all the animals in Jungle City, just as I did for the elephant. I decided that the stormy sky would be best on the jungle scene for two reasons.

  1. While the Jungle frequently has storms and sudden downpours, by having the threatening sky over the animals it does highlight, hopefully that there are other things that threaten them, namely human changes to their habitat, something that is important to the cause.
  2. Scotland, and so it's capital, has the stereotype that it is always raining. It seemed to make sense to put the blue sky here for no other more reason than to break stereotypes. Something I very much like doing.
Front: Greenery close to completion.
Reverse: Greenery completed, crocodile can be seen, flowers started.

Finally I decided to have the jungle scene on his back because he is such a front facing animal. For people seeing him in the streets of Edinburgh the first thing they might think about is that fact there are all these animals in Edinburgh and isn't it grand. The sights of Edinburgh being on his front reinforce this feeling but if you make the effort to look all around him you will find another deeper message. It highlights that the plight of the animals they are seeing around Edinburgh in sculptural form and in their native habitat can easily be forgotten or hidden from view. Hopefully the spectacular lightning strewn sky and slight encroachment by one or two of the animals from the back side onto the front side will encourage people to look all around him.




29/04/2011

Jungle City Edinburgh 2011

Finally I get to tell you all about this!

A few months ago I was approached by the Elephant Family, with whom, if you recall, I painted a life-size adolescent fibreglass elephant for last summers Elephant Parade in London. This time they had grand plans to turn fringe season Edinburgh into a jungle with many animals rather than just elephants.

As you may know the Elephant Family is a charity devoted to the protection and conservation of the asian elephant in the wild. The London Elephant Parade aimed to raise 2 million pounds to go towards securing corridors of land connecting current elephant habitats. In the end it managed to raise over 4 million pounds, a resounding success and a real boon towards protecting the elephant.

Jungle City Edinburgh recognises that there are many other endangered species that share the elephants habitat and that by protecting the habitat for the elephants they are also protecting it for all the other species that live there. As such, Edinburgh in August and September will abound with over 150 life-size sculptures of Elephants, Rhinoceros Horn-bills, Tigers, Crocodiles and Orang-utans.

Edinburgh will be a Jungle! More information here: http://www.jungle-city.org/index.html


Well I have been asked to paint an Orang-utan and more will be revealed on that later. Meanwhile if you have Flickr, Twitter or Facebook you can now follow his progress. I am posting photos online, 1 maybe 2 a day as he progresses. They are going up on Flickr but I tend to link to them online in other places too.

Flickr: http://www.flickr.com/photos/noblueskies/

The blank canvas


22/04/2011

Bracknell's Giant Postcard

Been really busy over the last few months.
  • There is a new secret project getting started right now, a project that I fervently hope will become less secret over the next few days. I am itching to tell everyone!
  • The 6 weeks prior to Easter holidays were spent doing some creative partnerships work at Ashmead Combined School in Buckinghamshire. I plan to blog about that soon. It needs a separate post.
  • However last weekend I got involved with a community art project in Bracknell Town Centre.
It was a little last minute but so much fun! 

Original constructed image of Bracknell

So the story goes:

In March a friend of mine, fellow intern at South Hill Park and all round fab arty graduate Sophie Williams spent a weekend creating and teaching others to up-cycle clothes. In this case taking old, donated and charity shop clothes and embellishing, cutting up to add to other clothes and generally making the old, dilapidated and unfashionable exciting and cool again.

The project entitled Fashion Fixers aimed to get the youth (14-18) of Bracknell to be creative and think about ways to turn old stuff they no longer like into new stuff. A really great ethos especially in this time of financial crisis. 

Setting up with the Water Clock Fountain in the background

Everything made over that weekend was then exhibited and sold last Saturday in a generously donated empty shop in Bracknell Town Centre. The project was partially made possible due to an initiative called ITVFixers (yes the TV station!) along with a lot of hard work by Sophie and some really generous donations. All the proceeds from the sale of the clothes went to Project 125.

Sophie is part of South Hill Park's young producers board “Missed Out” and there were plenty of others from that group who helped both in the lead up and subsequent clean up as well as on the day.


Mayor of Bracknell Forest painting


So where do I come in???

Well I'd seen all the build up to the exhibition, so knew exactly what ITV fixers were talking about when I got an email from them via ReOrsa, the Thames Valley Artists group I am a part of. They wanted to involve the community in a project on the Saturday as well as having the exhibition and were looking for a professional artist (painter) to do something. So I proposed a giant postcard of Bracknell and that's what we did.

Many young helpers


We had lots of support from both “Missed Out” and the people of Bracknell, including Bracknell Forest Mayor Cllr Ian Leake, all helping to paint the image side of the “postcard”. Everyone who painted was asked to write something about Bracknell, generally what they liked about it, which would then be added to the reverse of the “postcard”. 
 
Final painted image

Reverse of giant postcard

More photos on my Flickr page here.