31/03/2012

Postcards from beyond the edge

This work was partially inspired by an article I read about sending postcards from space. Soon after I got the brief for the next ReOrsa artists project, dealing with notions around boundaries and the breaking of them. The two seemed to coalesce instantly into the beginnings of this work.

Boundaries and Beyond flyer


Thinking about the nature of boundaries and what boundaries mean from a tourist or postcard perspective, I decided that not only did I want to send postcards from space, I also wanted it to seem perfectly normal. I had also recently re-watched a episode of Horizon called The Core which talked about the interior of the Earth and how it may be the last place we ever explore due to its phenomenally inhospitable conditions.

This sounded like a challenge to me so I decided to create a series of postcards that infer that the current limits of human exploration and some of the most inhospitable and remote areas of the world are perfectly normal holidaying destinations. Creating, photographing and using free to access images I have produced 60 postcards with images from all around the globe and beyond. Jungles, Deserts, Arctic regions, Space and under the earth are all represented as well a a few other areas.

Original test postcard


Additionally many of the images are not of the places they say they are. I wanted to take to the extreme the postcard tradition of showing places in the best possible light, often to the point that they no longer look like the place they depict. I won't spoil here which ones are fake, I will leave that for you to work out.

I've always been interested with perception and the power of suggestion to produce views and ideas that are not true. This is one of the reasons that postcards interest me so. The idea that one or a few perfect images of perfect places can represent a place really fascinates me. 

 
Intital mocked up postmark

To accentuate this power of suggestion, I took all 60 postcards and created a universe where these cards were sent from one person to another, arranged them into series of cards from individual holidays and gave them an entire timeline and false history. The cards were written in order according to my timeline and frequently contain references to previous holidays or past unknown events much as a 11 year association via postcards would do. I created a false publishing company and a QR code, that when scanned should take you to my website. Finally I created fake stamps that referenced the general locations of the cards and 60 individual postmarks.

Final work


From my 6 years working with postcards I seem to be mainly producing works that cannot be touched and are quite traditional from a fine art aspect; paintings, drawings and prints. For a medium that is first visual but also quite tactile this can be odd. I have recently started archiving my collection so I have had a lot more tactile relationship with them in recent months which may be impacting in the scope of my work.

I liked the idea of creating actual postcards and of forming this entire new world where a weekend in space is as normal as a weekend in the south of France. The idea of looking into a future where the infrastructure to allow postcards to be sent exists everywhere seems both utopian and disturbing. Being able to go anywhere that easily seems amazing but also the idea of every wild and natural place becoming as false and uniform as most other highly touristy place goes against everything I believe.

Example of one of the finished cards (text side)


At the end of the day there are not (quite yet) shuttles to hotels on the Moon, but I am interested to what level visitors believe what they are given. And I like that they have to rifle through the postcards. I'd want to see how many people feel the need to read from start to finish and how many pick up the first one they see. I had a great time making up this character writing the postcards, who is effectively me, but me writing from a position I could only imagine rather than experience.

As to the addressee, which I really agonised over, I decided that I would have to take inspiration from a fictional explorer. Hopefully before I said that most of you didn't work out which one immediately.

Example of a finished card (image side)


Often the ReOrsa space is only accessible by looking in through the windows. I was highly aware of this when I was planning the work so I wanted my work to be at least partially readable through the windows. So far every time I have gone past the Gallery@49 windows I have seen at least one person trying to read my work. Additionally it seems every time I have gone past more and more of the postcards have escaped from their box. As well as a few originally scattered on the plinth they have seemed to explode exponentially with masses on the plinth and many now sitting on the nearby window ledge. It seems the postcards themselves want to take their own journey.

Boundaries and Beyond is on from 15th - 31st March at Gallery@49 in Bracknell Town Centre. It will be open 12 – 4 on the 31st March and I will be there from 2 – 4 pm. 



Installed work at ReOrsa Gallery@49


Links:

01/03/2012

Exhibition Update: While Things Were Good and Boundaries and Beyond

My exhibition at South Hill Park has been up for a few weeks now and I thought it was time for an update.

Paintings got finished thankfully, even if they were still a little tacky when they went up, I was able to unveil my newest works Reading and South Hill Park. Reading ended up being quite a labour of love, that lion took 4 days of intensive work to get done but I am very pleased by it. South Hill Park seems to have become a lot of peoples favourite but then again it is also a building that is close to all who visit it so that is no surprise.


The private view went well, I had lovely chats with the various Mayors, Deputy Mayors and other Bracknell Forest/Town Council dignitaries that came along. In fact I was so busy talking to people I didn't manage to get any photographs of the event. Many of my friends and artists I've previously exhibited with came along as well as the hilarious Jan Williams from the Caravan Gallery. Hearing that she was coming down had me in a bit of a tizzy, I'd never met her in person although we became contacts through Twitter and Facebook previously. I am a great admirer of her work and as you might expect it has great resonance with my interests within my own practice. Plus I got a bunch of new Caravan Gallery postcards to add to my collection.


On the subject of postcards, I had some made of 5 of the works in the show, including S
outh Hill Park, Reading, Cowes - Isle of Wight, Windsor Castle and Welcome to Bracknell. At the moment these are available from the Bracknell Gallery at South Hill Park at £1 each. If you come on a Sunday afternoon (you will find me up there invigilating Ubiquitous Materials) I'll sign your postcard. After the exhibition ends I'll be looking into ways to sell these online. If you are desperate for a postcard though send me an email and I'll see what can be done.


The work has been really well received, one of the South Hill Park bar staff said to me the other day that she had never had as many comments and compliments about the work in that space than any previous exhibition.

Finally a note on Boundaries and Beyond, this is the ReOrsa Artists Project no. 6 and I will be exhibiting a new artwork. It's not painting but all my hints on Twitter and Facebook about photographs and stamps might give you an idea. It is a group exhibition in and around Gallery@49 in Bracknell town centre from 15th - 31st March. Opening night is oddly right in the middle of the run, 22nd March 5-8pm. More information here: ReOrsa